About Me
I’ve always loved visual storytelling—like well-made commercials, true crime shows that tell real stories in detail, and period films full of small, meaningful elements. I was always the person who paused a movie just to see what books were on the character’s shelf in the background.
My path into set decoration started after I moved to California and had the chance to work on a commercial. I was instantly hooked by the process of transforming a space to bring a scene to life—that’s when I knew I had found my passion.
After completing the Hollywood CPR program at West Los Angeles College, I built hands-on skills and gained a deeper understanding of the work. Since then, I’ve worked on a variety of projects and have become known for being organized, detail-oriented, and strong in research. I also have great relationships with local prop houses.
What fascinates me most about this job is creating spaces that reflect who the characters are—places that help the actors feel fully immersed in the story. I love researching vintage styles and locations.
I’m always open to learning and growing—and honestly, I find myself more and more inspired each day by the incredible work done by art department professionals.
Buyer / Set Decorator
My roles included set decorator and buyer. I meticulously researched all props, costumes, and set decorations for availability and cost-effectiveness and managed set decorations during filming, ensuring continuity.
Comedy Film (18-day shoot, multiple locations)
Directed by Guile Branco | Produced by Brightknight Entertainment | Supervision by Sabrina Percario | Production Design by Olesya Golub | Set Decoration by Pedro Ramos
Initially hired in a support role, I volunteered to create four models of a prop that broke on the third day of filming. With the collaboration of the team, we achieved the desired rusted color.
My experience with Alzabo & We Make Movies was incredibly enriching, thanks to the high-caliber professionals involved, which made the four days of filming run smoothly. Being credited as a prop maker was an honor, and I look forward to applying the lessons learned to future projects.
Directed by Beatriz Scavazzini | Written by Martina Sönksen | Available on Red Bull Films
We set up four spaces: a child's room (which required curtain and wallpaper installation), a nursery with all the furniture assembled, a kitchen where cookies are being made, and the most fun one—a robotics lab.A beautiful project conceived by set designer Emma Koh.
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